A Monday meander: More from Centennial Olympic Park

Always running, frozen in time. (I’m sure this statue has another name. I’m just not sure what it is.)

We live in time—it holds us and molds us—but I never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing—until the eventual point when it really does go missing, never to return.

—Julian Barnes, The Sense of an Ending

A Walktober walk

Through the (dirty) windshield, driving west near sunset at the beginning of our last trip.

There comes . . . a longing never to travel again except on foot.

~ Wendell Berry, Remembering

The gait most congenial to agrarian thought and sensibility is walking. It is the gait best suited to paying attention, most conservative of land and equipment, and most permissive of stopping to look or think. Machines, companies, and politicians “run.” Farmers studying their fields travel at a walk.

~ more from Wendell Berry, Our Only World: Ten Essays

The changing season and Walktober

Hearts and flowers in the corn.

Language wakes up in the morning. It has not yet washed its face, brushed its teeth, combed its hair. It does not remember whether or not, in the night, any dreams came. The light is the plain light of day, indirect — the window faces north — but strong enough to see by nonetheless.

Language goes to the tall mirror that hangs on one wall and stands before it, wearing no makeup, no slippers, no robe. In the same circumstances, we might see first our two eyes, looking back at their own inquiring. We might glance down to the two legs on which vision stands. What language sees in the mirror is also twofold — the two foundation powers of image and statement. The first foundation, image, holds the primary, wordless world of the actual, its heaped assemblage of quartzite, feathers, steel trusses, re-seamed baseballs, distant airplanes, and a few loudly complaining cows, traveling from every direction into the self’s interior awareness. The second foundation, statement, is our human answer, traveling outward back into the world– our stories, our theories, our judgments, our epics and lyrics and work songs, birth notices and epitaphs, newspaper articles and wedding invitations, the infinite coherence-makings of form. All that is sayable begins with these two modes of attention and their prolific offspring. Begins, that is, with the givens of experienced, embodied existence and the responses we offer the world in return.

Let us return to the morning bedroom, to the moment when language awakens to rise, looks outward, looks inward, asks its one question: “What might I say?” What does it mean when the answer arrives through the gaze of a Muse, that is, in the form we think of as art?

~Excerpts from “Language Wakes Up in the Morning: On Poetry’s Speaking,” a chapter in Jane Hirshfield’s book Ten Windows: How Great Poems Change the World

Walktober delights

Shall we do this again next year? (A sign on the boardwalk in Ocean City, MD on a misty day.)

None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.

~ Frédéric Gros, A Philosophy of Walking

A meander at Pocomoke River State Park

The wondrous colors of the bald cypress in autumn.

I’m painfully aware that the experts in fields like religion and spirituality sometimes feel that bringing mysticism down so far into ordinary life is an insult to the great mystics and makes it all too light and breezy. I feel just the opposite. I believe that one day we’ll understand that we’ve lost out on religion because we made it too lofty and distant. I see it as a simple quality of everyday life, and in that simplicity lie its beauty and importance.

~ Thomas Moore, A Religion of One’s Own

Brief experiences of sublime absorption, as ordinary as being struck by the brilliant blue of a cloudless sky, may contribute to your sense of being religious. The mystical moments multiply and over time you extend the borders of yourself, you are less prone to protecting yourself, and you have more empathy with the people and the world around you. If you define religion as a strong sense of the divine, your daily mysticism contributes to that sense by drawing you out of yourself into nature and then beyond.

~ Thomas Moore, A Religion of One’s Own

Before the fall

On the Hemlock Trail (New Germany State Park in western Maryland)

Lost
by David Wagoner

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.